This 1979 Guyatone EX1 amp is very rarely seen outside of Japan. It was most likely built and sold for the domestic market only. I found this one in a used music store in Portland, Oregon and suspect maybe a U.S. service man or woman brought this amp over from Japan.
The EX1 is an analog, single channel, solid-state amp with 20 watts of power, a 12-inch speaker, overdrive and reverb. Gain and volume controls, high and low EQ, reverb depth. Normal and overdrive inputs, headphone jack, pilot light.
I had this one serviced by Audio Synapse in Portland, and had a new reverb tank installed, as the original was ineffective.
This amp is bright sounding to begin with, and the 12-inch speaker by Tokyo Sound Co. only makes it brighter. I replaced the original with a Peavey Neo and that added a lot of lower end.
Coast Wholesale Music Company from the San Francisco Bay Area was an importer and wholesale distributor of musical instruments. They focused predominantly on importing instruments (guitars!) made in Japan to the United States in the 1940’s through the 1960’s. The company was purchased by Charlie Kamam of Kaman Music around 1968, along with Coast Wholesale of Los Angeles — a completely separate company in Southern California with the same name — and C. Bruno & Sons of Texas.
Kaman Music Corp. would later introduce the line of Ovation guitars.
Similar links: Coast Wholesale Music Co. of Los Angeles (founded by Eric Emerson), Ovation Guitars, Kaman Music Corporation, Jupiter Band Instruments, KHS Musical Company, Hohner, Inc., St. Louis Music, C. Bruno & Sons.
C. Bruno & Sons was a sister company in Texas.
Kaman Music Corp. introduced the Ovation line of guitars. Charlie Kaman and son, Bill Kaman.
Update: Just added some new shots of the chassis, tubes, board, Orange Drop caps, Fisher speaker, etc.
The Original 40XL
This page is dedicated to photos of our ’69 Silvertone 1422, also known as the Sears 40XL. We recently acquired this amp and found it to be one of the nicest 40XL’s we’ve seen in many a year. This Made-in-USA amp is totally original, right down to it’s late 60’s dark olive vinyl, green sparkle grille cloth, and a 12-inch Alnico magnet made by Fisher. The only cosmetic damage we could find is a bump (dimple) on the cabinet edge, right side of the control panel, and a chip off one control knob.
The 1422, or 40XL, was marketed by Sears as a 40-watt, 12-inch, combo tube amp for guitar. It features two separate input channels, and built-in reverb and tremolo. The reverb and trem are controlled by a dedicated foot switch. Sears advertised these as 40-watt combo amps. But in reality, the two 7189 power tubes put out around 20-watts or less. In fact, the features and chassis layout suggest that it could be an American copy of a the mid-60’s Marshall Model 1974, which was an 18-watt combo using two 6BQ5’s (EL84’s).
Summer of ’69
This amp was built, sold, and first played in the Summer of ’69. The code on the CTS potentiometers read “137-6919.” Decoded, that means “137” = Mfr’d. by CTS; “69” = Year Mfr’d. (1969). “19” = Week Mfr’d. (2nd Week of May).
How Does It Sound?
Well, it’s a loud 18 to 22 watts, that’s for sure. HUGE in the mid range, solid in the bass range, but not too sparkly or chimey at the high end. Poor speaker sounds like it’s wearing a heavy wool sweater. And there is a noticeable 60-Hz hum. But we will dig into it and find out what’s wrong.
UPDATE:
Major improvements! We took the chassis out of the cabinet, cleaned and tightened all the loose connections, and relocated one unshielded cable sitting too close to the transformer (will completely remove that later). Now, the amp is almost silent when idling, the 60-Hz hum is completely gone, and frequency response at the high and low ends have improved!
Photo Gallery
These photos are little rough, and I hope to upload some better ones in the near future.
Hi,
I have a 1422 from late 60’s early 70’s? It too is in very nice condition. All original tubes, but missing a knob. The volume on channel one is quite low but channel two roars. True, it does sound like its wearing a heavy wool sweater! I was wondering if I could change out tubes for a better high gain sound? Shoot me an email and I’ll send some pics, and any advice would be much appreciated!!
Hi Ed,
Would love to see photos of your amp. This one has a lot of gain already. Not certain which tubes to try for even higher gain. I think the speaker might be the weakest part. Planning to try some different speakers to hear what happens…?
~Alex
I just picked up a solid state 40XL at the goodwill for $9. Sounds great with mu delta king semi-solid body and they look great together.
A bit of wear, but love the tremolo feature I also played a round with it and found with the 2 chanenels that I could actually use it as an amp and mini PA if I balance things right in a pinch. The tremolo works on your voice too, kind of like a 70’s ( I think that’s how old it is without the tubes) W.i.l.l.i.a.m effect.
Any chance of finding a manual on this baby on line anywhere? Is it repairable if it craps out, being it’s so old??? Any review info or thoughts would be appreciated.
@mike — It is most certainly fixable. I took mine into the local shop (Columbia, MO USA), and they fixed the reverb, changed the tubes, and installed a 12″ blue dog speaker that I brought in. I also had a proper 3 prong cord installed. The amp is now my mainstay, I use it always!
I just got one of these and was wondering if you have a schematic. Mine is not in the great condition of yours, but seems to work fine. No pedal though. Please post your findings about the different speakers you try!
Hi Tim. No schematic yet. Hopefully I can make one (with some help!).
I’m pretty sure that the original speaker can’t handle the power of this amp. I disconnected the original and patched this amp into another cab that I have. That made a big difference! I’m planning on ordering a G12-H-30 (Greenback) from Ted Weber.
Thanks Alex! I took the head apart this weekend and just wanted to let you know that there is an 8 ohm speaker tap on the board. It has a red wire going to it and it’s right next to the 4 ohm, where the speaker is connected. Also, I tried jumping the channels, and with both channels turned up there seemed to be more presence and touch sensitivity, seems like the clouds lifted some. I’m also going to try a Celestion, I have an old G12H25, but it’s 15 ohms. I’m going to try it on the 8 ohm tap and keep my fingers crossed!
I wasn’t able to use my old speaker, but I did put in a g12h30 anniversary and it was more clear and gave it more Marshall growl. My try a Jensen next.
Has anyone discovered a schematic for the 1422 ? I have one and am trying to figure out if it’s 4 or 8 ohms ? I have a 4 ohm Fender speaker I would like to put in it.
John,
I’m *pretty sure* the the original wiring is for a 4 ohm speaker. But please see Tim’s comment above about both 4 ohm and 8 ohm taps from the output transformer. It’s nice to have options
Still searching for a scematic for the 1422. Having distortion problems in the tremelo circuit. My tech guy can’t find one either. The tremelo does not seem to kick in unless the Strength knob is at 12 noon or higher. When the speed knob is turned past noon, ugly distortion is present. Any ideas ?
Sorry, John. Haven’t been able to track one a schematic for the tube version of the 1422. I recently ordered the repair sheet and schematic from Sams Photofact, but what they sent me is for the solid-state model.
Did you try replacing the 12AX7 tube that drives the tremolo circuit? If it’s not the tube, then the problem might be a capacitor in the circuit. I fixed the non-funtioning tremolo on my 1421 amp by replacing one of the caps. I think it was one of the caps that was soldered to either the Speed or Depth knob. Now it works great.
I know this is an old post, but I’m wondering if by chance if you still have it, could post the SS schematic you were sent in error?
I just (mistakenly) bought the SS version, because I was over zealous in my blind compulsive buying mode and failed to examine the photos throughly enough; had I done so, I wouldn’t have overpaid for this tube-wannabe.
No. The circuits for the 1421 and 1423 are entirely different. The 1421 is all point-to-point hand soldered. The 1423 is solid-state; so no tubes at all. The 1422 is a hybrid because it has a printed circuit board and tubes. That makes it unique in that series.
Did your tech remove the printed circuit board and test all the caps, resistors, and solder traces?
I just received a 1422 off ebay today and noticed that instead of original tubes (which the seller stated they were) it has 2-EL84s replacing the 7189s and ECC 83S in place of the 12AX7s, all JJs. I read somewhere that the EL84s and the 7189s are used for different voltages in the circuit and shouldn’t even work when added. The seller is playing dumb and I can’t find out if something was modded, or everything is fine, or something seriously bad is going to happen if I don’t make sure the voltage was adjusted.
I just purchased a solid state 40XL. I haven’t received it yet. Are they compatible with modern 2-button footswitches? I have a 10XL with the original tremolo footswitch but I want to control reverb too.
Josh, congrats on the new 40XL! The 40XL uses a two-button switch to control reverb and tremolo, and has a single 1/4-inch two-conductor plug. Like a 1/4″ stereo headphone plug. See it here: http://www.tonegems.com/silvertone-1422-footswitch/
I just rebuilt a Sears Silvertone XL40… cabinet mostly and professionally done on a CNC. Will post pictures. I, too, am getting a screeching trem and the reverb is’t working, although the verb does boing when moved… so some further scrutiny is necessary. The finish of the cabinet is wood, stained and toned. I made it a little larger than the original and also plan to make another the same size as the orignal with tolex covering. I also remade the control panel graphics. Looks real nice and a lot of tube power. Just have to get the trem and reverb right. I recall, trem and verb were working before I tok it apart. All for now.
Cabinet is almost done… working out some bugs in the circuitry… probably needs newer tubes… all else seems to be clean and intact. Assemling this weekend and then will take pictures. Note that I enlarged the cabinet some; however, I have recently redigitized it to spec. I will make a second cabinet with a tolex wrap and make the electronics (or head) a separate entity. Thanks.
Emails with pictures sent to your addy and a question. Let me know if you received them, Alex. Have a very Merry Christmas. BTW, I was with the owner of the Danolectric tradename last evening. What a great fella!
Note, photos coming from another addy and just sent 4:06 EST 12/27/14. Also, could you elborate on the wire near the transformer that was causing the 60 cycle hum and all you did to resolve that. I, too, have the hum. I do not plan to make my unit 3 wire because I like the flexibility of reversing the plug polarity with a 2 prong…. unless I add a switch for that, or go to 3 wire and use an adapter. You ground to chassis, right? Someone told me the problem with my trem could be caps and not the tubes. Any opinion on that? Still waiting to test the tubes. I have a vintage tube tester now, but I may have to change some resistors to get it working. properly… as it’s been sitting for a good many years.
I have decided to take inventory on the PCB components and, also, draw up a new PCB and etch a new one for the beast I’m working on. When I’m further along, I will post or link the data and PCB drawing. For now, there are two blue-ish colored capacitors and on the south end appears to be some sort of (tan) washer that I thought might be the cap bleeding. There are no pictures above of the component side, but if anyone knows anything about these two caps, let me know if what I am seeing is a bad cap (I have not tested it). Alex, I sent you pictures of the solder and component sides. Caps I am referring to are labeled C2 and C17 respectively. Thanks.
Just got a smack in the face; bought a 40xl from a charity auction, was all giddy because I (thought) got a great deal on a coll retro (I thought) tube amp.
Well, in my blinders-on compulsive buying madness, I failed to note the language on the warning lable (which was pictured in the listing) stating:
“…..does not contain any tubes or user serviceable parts…”
Yep; instead of a great deal on a great little tube amp, I overpaid for a Solid State door stop.
I guess that may be a bit harsh, as I’ve just umboxed it at work, and haven’t actually plugged in yet.
I did pop the back and examine the innards (through the nest of cobwebs) and it looks like a nice wiring job, and if nothing else, probably some good vintage parts to harvest for one of my upcoming pedal builds.
Anyone own the SS version? And if so, what are you’re thoughts on it?
I plan on giving it a good clean up, and see how it sounds.
If it’s as underwhelming as I’m pessimistically assuming, it might actually be the perfect opportunity to take the next step in my DIY education and take a shot at gutting it and building the original tube version.
Now to poke around here, and everywhere, to try finding the schematic for it.
I’m guessing it can’t be too complex; but I’ve been wrong before… recently in fact
Well, the SS version is nothing like the tube version, but might have an interesting tone all it’s own. I believe it’s an early use of the printed circuit board, but with full size components (capacitors and resistors) on the board. Kind of a solid-state dinosaur.
I realize this might bit too late, but Jim… don’t trash that SS 40XL. Sure it doesn’t have the same warmth as the tube version. But with the right guitar, and couple of well chosen pedals, you can get some very pleasing tones from it.
I’m playing an Eastwood P-90 Special through my SS 40XL. And with just a touch of distortion, from my Boss DS-1, it sound pretty damn good.
This great little combo tube amp was built by (who?) and sold through Sears and Roebuck in the late 1960′s and early 70′s. It was originally sold as the Silvertone Model #1421, and in later years as the SR 10XL, and lastly as the Sears 10XL. Oh, the photo of this amp looks innocent enough, but, this is one serious sounding tube screamer. And you won’t usually find them as nice as this one!
Quick Info
Summary: A 10-watt tube combo with tremolo and 8-inch speaker. Hand-wired. Lots of midrange growl that transitions into a creamy overdrive. Great for classic and indie rock, jazz, blues, country and rockabilly. Use as a practice amp or at small venues. Perfect for recording.
Pluses (+): Vintage British, Vox-like, valve sound in an affordable practice amp. Compact and lightweight.
Minuses ( – ): Cheaply constructed lightweight cabinet and thin vinyl covering. The original grille cloth was fragile, and most are completely deteriorated by now. Loud enough for a small venue (i.e. coffee shop) but not for anything larger.
Surprises: 1) The 7189 output tube! This is the higher plate voltage version of the EL84 tube made famous in British amps of the 60′s; and 2) The 8-inch Oxford Alnico speaker sounds great!
Value ($): Depends on the condition and market demand. I have seen them run from $100 to as high as $500.
Similar Amps: The original 1960′s Vox AC4 practice amp. Nothing else in the Silvertone line is similar.
The Complete Silvertone 1421 Review
(Stay tuned… this section under construction)
The 1421 Photo Gallery
This amp is in fantastic condition for it’s age. It even came with the factory original vinyl dust cover. It is all original, except that I replaced a broken power switch, and then replaced the old 2-prong power cord with a safer grounded cord. The tubes, chassis, speaker, cabinet and finish are all in perfect condition — sans for the cigarette-sized hole burned into the original grille cloth (not by me, it came that way!).
The Sears 10 XL was sold through Sears and Roebuck in the late 1960’s and early 70’s. The 10 XL is a single channel, 10-watt (peak) combo amp for electric guitar with a very cool built-in tube-powered tremolo effect.
This little amp first appeared in the 1969 Sears Catalog as a 10-watt tube-powered amp and, transformed into to a solid-state amp around 1972, and then discontinued in 1973. The label on the rear panel identified this model as Silvertone 257.1421100.
The photo of this little amp looks innocent enough. But don’t let the its appearance fool you! This is a serious sleeper of a tube amp, and sounds fantastic. Perfect for your next garage band. And you won’t usually find them as nice as this one!
Quick Info
Summary: A 10-watt tube combo with tremolo and 8-inch speaker. Hand-wired. A classic garage amp! Starts out loud and stays there. Comfortable at full volume playing in a garage, but will blow you out of your bedroom. Lots of midrange and natural tube overdrive. Highly responsive and touch sensitive to player’s technique; so a talented strummer can get a wide variety of tones and sounds. This amp lives mostly on the treble end of midrange, but depending on the speaker can growl and howl on the low-E notes. Great for classic and indie rock, jazz, blues, country and rockabilly. Use as a practice amp or at small venues. Perfect for recording.
Pluses (+): Vintage 1960’s tube sound in an affordable practice amp package. Compact and lightweight. Tube powered tremolo that is other-worldly!
Minuses ( – ): Typical department store construction; lightweight cabinet and vinyl covering (it’s a Sears amp!). The original fabric grille cloth was fragile, and therefore most are completely deteriorated by now. Not really loud enough for a big venue, but still perfect for those small and intimate gigs (i.e. coffee shop).
Surprises ( ! ): 1) The 7189 output tube! This is the higher plate voltage version of the EL84 tube found in British valve amps of the 60’s; and 2) The 8-inch Oxford Alnico speaker sounds great!
Value ($): Depends on the condition and market demand. I have seen them run from $150 (beat up and not working) to as high as $500 (too much!).
Similar Amps: Unique, nothing else in the Silvertone line is similar. Preamp tube (12AX7) and power tube (7189 version of EL84) used in the 1960’s Vox AC4.
The Sears XL Story (as best I know it)
The Sears 10 XL was a member of the Sears XL Series of amplifiers that first appeaed in the late 1960’s and ran through the mid-1970’s. The XL Series followed the venerable Silvertone 1400 Series (1472, 1482, 1483, 1484, 1485) from the early to mid 1960’s. The XL Series ranged from the little 5 XL (3-tubes, 3-watts) to the giant 200 XL (200-watts solid-state).
Before the XL Series, the Sears Silvertone 1400 line up of amps was designed and built by the famously efficient and economical Danelectro Company of Neptune, New Jersey. Danelectro was founded by the pioneering electronics engineer and builder Nathan Daniel. Nate Daniel specialized in building quality musical instruments and gear at reasonable prices. Danelectro built and supplied all the guitar amps to Sears and Roebuck from about 1958 to 1968. In 1966 founder Nate Daniel sold his company to MCA, and unfortunately by 1969, MCA had to shut down the operation and thus the original Danelectro Company no longer existed.
From about 1968 to 1972 the smaller amps in the Sears XL Series (the 5 XL, 10 XL, 40 XL) continued to be hand-wired tube amps. But by 1973 the entire XL line – except for the little 5 XL – had transitioned to all solid-state electronics. Exactly who built these XL amps for Sears remains a uncertain. We have speculated that the 5, 10 and 40 XL’s were still built in New Jersey with left-over parts from the defunct Daneletro.
The Chassis
The chassis of the 10 XL is all hand-wired point-to-point electronics with a 6X4 tube rectifier, a 12AX7 preamp tube, a 12AX7 tremolo tube circuit and a single 7189 output power tube. The amp has volume and tone controls, Tremolo speed and intensity controls, two 1/4″ guitar input jacks, and one 1/4″ tremolo foot switch input jack.
The Speaker
The loudspeakers that came in the Sears 10 XL varied throughout production. All speakers were 8-inches in size. But the manufacturer and type of speaker varied. This particular model has an 8-inch speaker made by Oxford with an Alnico magnet, which perfectly compliments the lower output level of the 7189 power tube, and sounds great in this amp. Some other 1421 models were made with speakers from the CTS or Fisher factories, and by my account, those all had ceramic magnets instead of Alnico.
The Baffle Board and Grille Cloth
The baffle board is typical Silvertone quality: 1/8″ pressed board (Masonite). That just helps to establish this amp’s personality. The original silver, gold and green sparkle fabric that covers the baffle board is quite delicate, and in most cases rotted away over the years. Thankfully, somehow the original fabric survived on this model.
The 10 XL Photo Gallery
This 10 XL is in fantastic condition for it’s age. It even came with the factory original vinyl dust cover and tremolo foot switch. It is all original, except that I replaced a broken power switch, and then replaced the old 2-prong power cord with a safer grounded cord. The tubes, chassis, speaker, cabinet and finish are all in perfect condition — sans for the cigarette-sized hole in the original grille cloth (not by me, it came that way!).
Silvertone 1421 Sears 10XL
Silvertone 1421 Sears 10XL
Silvertone 1421 Sears 10XL
Silvertone 1421 Sears 10XL
Silvertone 1421 Sears 10XL
Silvertone 1421 Sears 10XL
Silvertone 1421, Original Cover
Silvertone 1421, Cover, Footswitch
Silvertone 1421 Back Cover
Silvertone 1421 Label
Silvertone 1421 Gut Shoot
Silvertone 1421 Tube Chassis
Silvertone 1421 Original Speaker
Silvertone 1421 Amp Silverton 1445 Guitar
Silvertone 1421 Amp Silverton 1445 Guitar
Specifications – Silvertone 1421 (Sears 10XL)
SEARS 10 XL (SILVERTONE 1421)
Model Number
257.14211000
Serial Number
None
Manufacture Date
April 1971
Type
8″ Combo
Output (Peak or RMS)
10 Watts, Peak
Pre-Amp Tube(s)
1 x 12AX7
Tremolo Tube(s)
1 x 12AX7
Power Amp Tube(s
1 x 7189
Tube Rectifier
6X4
Speaker
Oxford 8″ Alnico
Speaker Code
465-7118
Speaker Configuration
1 x 8″
Baffle Board
1/8″ Masonite
Impedance
4 Ohm
On-Board Effects
Tremolo
Footswitch
Yes
Controls
Volume & Tone
Inputs
2
Channels
1
Cabinet Construction
3/8″ Pressed Board
Cabinet Covering/Color
Vinyl / Black
Dimensions (WxHxD)
14″x17″x6″
Weight
10 lbs.
Power
120V AC
Schematic for Silvertone 1421
Silvertone 1421 Schematic Courtesy of Schematic Heaven
the other maker of sears guitar amps was electrnic sound corp of chicargo ill during the 1970s to about the late 80s. they used oxford, and quam speakers and maybe cts or some utahs. the also made cabents for the game manufactuers wiaims/bally/ etc.
The Silvertone 1420 (Sears 5XL) is identical to the older Danelectro built model 1459. After Danelectro was no more, do you think maybe they built the 1420 for Sears from old Danelectro parts, or maybe just copied the Dano design? ~alex
A great little clean tone amp with real vintage vibe. Why practice on a modern digital piece of (insert your favorite phrase here) when you can play a pure analog classic on the cheap!
Here’s a great little solid-state analog-powered practice amp for electric guitars. Around 5 to 10 watts of power into a vintage 10″ American speaker with Alnico magnet. These little Kalamazoo amps were produced in Kalamazoo, Michigan (of course!) in the 1970’s next to their larger Gibson siblings, and were very well built compared to other inexpensive amps of that era. All real plywood construction and baffle board; no pressed fiber board. This one gets plenty loud for practice, or small gigs. Like most solid-state amps of that era, it produces a clean tone all the way to up full volume. You will need to add a good pedal to get that tube-like distortion, like a BOSS DS-1, a Tube Screamer, or my personal analog preference a vintage DOD Overdrive.
VIDEO:
SPECS:
Built in 1971.
Somewhere between 5 and 10 solid-state watts.
One channel.
Two instrument inputs.
Volume, tone/on-off switch, red pilot light.
Black vinyl “tolex” covering.
Nice, vintage 10″ Alnico speaker.
No tremolo or reverb on this model.
COOL FACTORS:
Vintage, pure analog, solid-state guitar amplifier.
Made in Kalamazoo, Michigan – the home of Gibson at that time – where they took the art of building great guitars and amplifiers seriously.
Classic, made in USA, Alnico magnet speaker. Kalamazoo speakers always sounded great!
Not your modern mass-produced digital garbage manufactured off-shore by ???.
CONDITION:
I have gone thoroughly through this amp and played it for hours.
All wiring, components are original and in good condition.
Everything functions as it should, and this amp is very quiet when idling.
It still has the 2-prong power cord, but works just fine.
No major cosmetic damage.
Some slight separations of the tolex vinyl at some corners, but have to be up close to notice.
Some light surface scratches on the control panel, again, can only be seen up close.
There’s just a bit of looseness in the speaker fabric.
PHOTOS:
Kalamazoo Model 1 Solid-State Guitar Amp
Kalamazoo Model 1 Controls
Kalamazoo Model 1 Solid-State Guitar Amp
Kalamazoo Model 1 Solid-State Guitar Amp
Kalamazoo Model 1 Solid-State Guitar Amp
Kalamazoo Model 1 Solid-State Guitar Amp
Kalamazoo Model 1 Solid-State Guitar Amp
Kalamazoo Model 1 Alnico Speaker
Kalamazoo Model 1 Speaker Magnet
Kalamazoo Model 1 Control Panel
Kalamazoo Model 1 Solid-State Chassis
Kalamazoo Model 1 Solid-State Chassis
Kalamazoo Model 1 Solid-State Chassis
Kalamazoo Model 1 Solid-State Chassis
Kalamazoo Model 1 Solid-State Chassis
Kalamazoo Model 1 Solid-State Chassis
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