Vintage 1970’s Lyle Strat Guitar

1970's Lyle Strat made in Japan

1970’s Lyle ‘Strat-Like’ Electric Guitar, white solid body, 3 pickups

Here’s an interesting vintage 1970’s Lyle guitar currently offered on eBay. This Strat-like 3-pickup solid body is dressed nicely in an aged and relic white finish, tremolo bridge (the arm is missing), with a Japanese bolt-on Mahogany neck, an adjustable truss rod, and Rosewood fingerboard. Mostly known for its less expensive copies of famous guitars, Lyle actually sold some decent gear—in addition to a lot of low end beginner’s trash! This one appears to be of higher quality as suggested by the three-ply pickguard, the sliding switchgear, and the closed back tuning machines. Most Lyle guitars were built in the Matsumoku factory in Japan, however the Mahogany neck and the pickups suggest it could have been built elsewhere in Japan? Lyle guitars were sold by the L.D. Heater Music Co. of Portland Oregon during the 1960’s and 70’s. The seller says this guitar plays and sounds great with low action and no fret buzz. We have not tested to confirm. Seller is asking $279.95 plus shipping.

 

Here is the link to the eBay* auction: Vintage 1970”s Lyle Electric Guitar Made In Japan

*DISCLAIMER*: Buy at your own risk! Although we like to point out interesting buys on eBay, craigslist.com, and other sites, Tone Gems has not tested this guitar and does not endorse or recommend this product, nor this seller.

1970's Lyle Strat made in Japan

Silvertone 1445 Mosrite Surf Guitar


A Vintage 1970 Silvertone MIJ Copy of the Mosrite Guitar

Silvertone 1445 GuitarThis crazy looking solid-body electric guitar is ready to play surf, jazz, classic rock or county, and is simply a kick to play! The exquisite Silvertone 1445 (I mean, by dept. store standards of course) was hand-crafted by Teisco in Japan for Sears. The body style is an excellent Teisco version of the 1960’s Mosrite of California guitar played by rock Hall-of-Famers, The Ventures (Walk, Don’t Run and Hawaii Five-O).

Sears 1969 Catalog Page 929The Silvertone 1445 first appeared in the Sears catalog in 1968, and hung around in a few variations through the early 1970’s. It has three very loud single-coil (“Hound Dog”) pickups wired in series just like the old Danelecto models. The fast, low-profile solid Maple neck with Rosewood fingerboard sports medium to low action and is easy to play. The growling Teisco “Hound Dog” single-coils have lots of bite, and the solid poplar body has plenty of sustain. Of course, the single-coils and non-shielded wiring can be a bit noisy if you’re not careful, but easy to avoid. And I must say that the hand-painted sunburst finish over the flamed Maple; the contoured German carve body with tortoise shell pickguard; and intricate triple-layer celluloid binding makes this guitar a stunning sight to see.

Silvertone 1445 Guitar Body
Silvertone 1445 Guitar

The 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship. It has the following specifications and features:

  • Body: Morite-style, celluloid bound, fully contoured, flamed Maple over basswood with German carve; sunburst (yellow-red-mahogany) high gloss polyurethane finish; tortoise shell celluloid pickguard.
  • Neck: Bolt-on solid Maple neck with Brazilian(?) Rosewood fretboard, Pearloid block inlays and triple bound celluloid edge (w/b/w); 25½″; 22 frets with zero fret; 1-5⁄8″ at nut.
  • Pickups: Three Teisco single coil “Hound Dog” pups wired in series (loud, louder, loudest); 3 slide switches plus tone boost switch for 7 pup combinations; 3 volumes and 1 master tone control.
  • Headstock: Solid Maple; black nitro-lacquer finish; block style logo.
  • Tuners: 6 in line; sealed; made in Japan.
  • Vibrato: Teisco tremolo bar.
  • Bridge: Teisco adjustable roller bridge; chrome cover.
  • Dimensions: Length 41½″; Body 19″; Upper Bout 12½″; Lower Bout 14½″; Thickness 2″ at base of neck.

The Silvertone 1445 Photo Gallery

Here are some photos of the 1445 taken with the Silvertone 1421 (Sears 10XL). The 1421 is a 10-watt tube amp that was also offered by Sears around the same time. These two instruments were often bundled and sold together as a set around Christmas time (the Sears Wishbook).

 

Silvertone 1445 Guitar Schematic Diagram (by randoid.com)

Silvertone 1445 Guitar Schematic Diagram

Special thanks to Randy (randoid.com) for helping fix the electronics and getting it back into stock, playing condition!

Keywords: Sears, Silvertone, 1445, Mosrite, Surf uitar, Teisco

Hashtags: #tonegems #silvertone #silvertone1445 #mosrite #surfguitar #teisco

Comments

Previous Comments

{ 2 comments… read them below or add one }

larry tiedemann November 7, 2012 at 3:04 pm

i own a 68 model that i refinished in 2004.i should not have done that but the end result looks great and at the time i only paid 85$ for it.it was my first experimental guitar.i learned about guitar construction,electronics,it taut me every thing i know about guitars today.i could build one from scatch if need be.if you want to check out a photo go to my facebook page.

REPLY

alex November 7, 2012 at 7:20 pm

Hey Larry, that’s a great looking refinish you did. Love that guitar. Thanks for dropping by and sharing. ~alex

REPLY

1970 Silvertone 1445 Mosrite Copy Guitar

Silvertone 1445 Electric Guitar

A Vintage 1970 Silvertone MIJ Copy of the Mosrite Guitar

Here is the latest addition to the Tone Gem galaxy of stars: a vintage 1970 Silvertone 1445. Also known as the Silvertone Mosrite Copy, made in Japan by Teisco. Picked this one up in Seattle from John, another Silvertone collector. The 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship.

This crazy looking solid-body electric guitar is ready to play surf, jazz, classic rock or country, and is simply a kick to play! The exquisite Silvertone 1445 (I mean, by dept. store standards of course) was hand-crafted by Teisco in Japan for Sears. The body style is an excellent Teisco version of the 1960′s Mosrite of California guitar played by rock Hall-of-Famers, The Ventures (Walk, Don’t Run and Hawaii Five-O).

Sears 1969 Catalog Page 929The Silvertone 1445 first appeared in the Sears catalog in 1968, and hung around in a few variations through the early 1970′s. It has three very loud single-coil (“Hound Dog”) pickups wired in series just like the old Danelecto models. The fast, low-profile solid Maple neck with Rosewood fingerboard sports medium to low action and is easy to play. The growling Teisco “Hound Dog” single-coils have lots of bite, and the solid poplar body has plenty of sustain. Of course, the single-coils and non-shielded wiring can be a bit noisy if you’re not careful, but easy to avoid. And I must say that the hand-painted sunburst finish over the flamed Maple; the contoured German carve body with tortoise shell pickguard; and intricate triple-layer celluloid binding makes this guitar a stunning sight to see.

Silvertone 1445 Guitar and Sears 10XL Tube AmpThe 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship. It has the following specifications and features:

  • Body: Morite-style, celluloid bound, fully contoured, flamed Maple over basswood with German carve; sunburst (yellow-red-mahogany) nitrocellulose lacquer finish; tortoise shell celluloid pickguard.
  • Neck: Bolt-on solid Maple neck with Brazilian(?) Rosewood fretboard, Pearloid block inlays and triple bound celluloid edge (w/b/w); 25½″; 22 frets with zero fret; 1-5⁄8″ at nut.
  • Pickups: Three Teisco single coil “Hound Dog” pups wired in series (loud, louder, loudest); 3 slide switches plus tone boost switch for 7 pup combinations; 3 volumes and 1 master tone control.
  • Headstock: Solid Maple; black nitro-lacquer finish; block style logo.
  • Tuners: 6 in line; sealed; made in Japan.
  • Vibrato: Teisco tremolo bar.
  • Bridge: Teisco adjustable roller bridge; chrome cover.
  • Dimensions: Length 41½″; Body 19″; Upper Bout 12½″; Lower Bout 14½″; Thickness 2″ at base of neck.

The Silvertone 1445 Photo Gallery

Here are some photos of the 1445 taken with the Silvertone 1421 (Sears 10XL). The 1421 is a 10-watt tube amp that was also offered by Sears around the same time. These two instruments were often bundled and sold together as a set around Christmas time (the Sears Wishbook).

Schematic Diagram

Silvertone 1445 Guitar Schematic Diagram
Silvertone 1445 Guitar Schematic Diagram (by randoid.com)

Special thanks to Randy (randoid.com) for helping fix the electronics and getting it back into stock, playing condition!

 

 

 

 

{ 14 comments… read them below or add one }

Terry January 30, 2011 at 11:51 am

Hey just wondering what these models are worth. I picked one up from a guy in Alberta, Canada. I paid $125 for it. The electrics are alot crackily but they still work. Everything else is in good shape with the usual nicks and bumps. It also came with an old hard case. Looks a little big for the guitar but it looks old. It has a very thin red plush interiour. Not sure if I will get a reply if you reply through this web site so if you could reply directly to my email address [address removed].

Thanks Terry

Terry

REPLY

alex January 30, 2011 at 12:40 pm

Thanks Terry for visiting the site. I have responded to your question by email, as you requested.

Alex

REPLY

frank December 15, 2011 at 4:44 pm

Hi my name is frank i have had mine for about 20 years i haven,t picked it up in years whats 1 of these worth model #319.14459 japan silvertone mosrite copy/tone gems

3

REPLY

alex December 15, 2011 at 5:39 pm

Hi Frank. Thanks for visiting the website! I have been following the prices for this guitar on eBay and craigslist for about 2 years. The asking prices have been all over the place. Its value really depends on the condition and the amount of original hardware. A lot of these guitars have lost their whammy bar and chrome bridge cover. A decent price for one like mine would be around $450, or even more.

REPLY

cornbread April 13, 2012 at 7:46 am

Hello sir, I have one of these but it has the holographic atomic symbol headstock. Do you know the difference? Here’s what the headstock looks like: http://www.mandolincafe.com/forum/attachment.php?attachmentid=52948

REPLY

alex April 13, 2012 at 4:33 pm

@cornbread
Yes. Even though the headstock and logo changed over a short time span, these guitars are all the same model. Sears started using the atomic SR logo in ’71. Therefore, your guitar would have to be a 1971 model, or later.

REPLY

Ian June 27, 2012 at 8:11 am

Hello,

I have this Silvertone-teisco 1445L guitar.

What is a fair price for this type of guitar is good condition?

REPLY

alex June 27, 2012 at 8:28 am

Hi Ian. Thanks for the inquiry. I have answered your question via your hotmail address. ~alex.

REPLY

peter September 5, 2012 at 10:00 am

I’m about to purchase one of these 1445 Silvertone’s, it is a 1969 and in perfect condition other than the tremelo bar is missing. Do you know if these are easy to get hold of?

Thanks

Peter

REPLY

alex September 5, 2012 at 10:43 am
alex September 5, 2012 at 10:45 am

Peter, congrats! Send us some photos of your new guitar after you get it.

REPLY

Billy Decker December 1, 2012 at 7:07 pm

I’ve had my Silvertone 1445 since1974 and it still plays. It was my first electric guitar. Bought it from a friend of mine with a Sears tube amp but the amp got stolen. Saw one on Ebay for almost $500. Bought both amp and guitar for $40. Missing my bridge cover. Never got a case with it and the only thing it fits in is a coffin bass case.

REPLY

Paul Chesney April 12, 2013 at 9:41 am

Want even better Mosrite-like sound from the 1445? Bypass the other two pickups and wire the bridge pickup straight to the input jack. Even better, replace the bridge pickup with an M3 or California “RH-100″ Wow! No need to drop $6,000 to get that Mosrite Mark 1 sound.

REPLY

alex April 12, 2013 at 10:29 am

Awesome mod! Love getting comments like this. Thank you Paul!

 

Andrew December 8, 2013 at 11:25 pm

 

Hey,

I just bought one of these on eBay for $250. The differences are that the headstock is almost like a generic block but the top of the head is shaped like a wave. Another difference is there is no white lining surrounding the edge of the body. The pearl inlays stop at the 17th fret, there are actually two separate smaller inlays on the 12th fret, and the paint job and finish covers the entire guitar including the back of the neck and back of the headstock. My questions are what year was this model made? Also, it’s missing a volume knob, the whammy bar, and the original bridge so I’m also wondering where I could find these parts?

Thank you very much

REPLY

alex December 9, 2013 at 10:12 pm

Andrew,
Congrats on the new guitar! Is it a 2 pickup or 3 pickup version. A 3 pickup is model 1445 and the 2 pickup version is a 1440 or 1441. From your description, it sounds like it might be a 1971 or 72 model year.

The guitar was built in Japan at the old Teisco factory, which was owned by Kawai by that time. You can search for parts on eBay by searching for “Teisco knob” or “Teisco whammy bar.” The is a seller on eBay to offers new reproductions of the original Tesico parts. That seller go by the name ezpz-parts. I have not purchased from that seller so I cannot endorse. But the parts look pretty good.

Good luck and enjoy your new find!
Alex

REPLY

Andrew December 10, 2013 at 9:02 am

Thanks! I’ve already found a teisco old style tremolo and spring. The seller you mentioned has some good stuff. I even picked up a new strap. The one I bought is indeed a 3 pickup. I’ve seen more than a few of these recently and a lot of them seem to have small variations. I’m not sure if they were moded that way or actually made that way. First time I saw this guitar I instantly fell in love. Then that love went to a whole new level when I heard what it’s capable of. Vintage just has a feeling that not even repro can give you. I have a lot of years left and this will for sure be my #1 guitar out of any others I get in the future.

Thanks again!

REPLY

alex December 11, 2013 at 10:15 pm

Glad that you love the guitar and are finding the parts you need. Enjoy!

REPLY

 

Jayson May 12, 2014 at 11:31 am

 

I bought one of these guitars back in october and I love its uniqueness.
However my is slightly different.
Mine has a big almost flag shaped headstock with 3 tuners on each side, and doesn’t have binding all the way around the body. Does this make it an older/new model?
Also what are all the woods that make it up? I don’t think mine has the maple top. so what’s the body and neck?

REPLY

alex May 26, 2014 at 4:58 pm

Jayson, thanks for the comments. From your description, it might be the last version, about 1972, I believe.
~alex

REPLY

 

James November 11, 2014 at 8:56 am

 

Hey there, I own a Silvertone 1445 (actual SN is 16877) but the wammy bar and tail bridge are destroyed and missing. Where can I get a replacement? Is it possible or do I need to add a new one on?

thanks for any and all help.

cheers

James.

REPLY

alex November 17, 2014 at 8:30 pm

James, thanks for posting your comment! The parts you need can probably best be found on eBay. Check out the seller named ezpz-parts.

Here’s the wammy bar: http://www.ebay.com/itm/TEISCO-SILVERTONE-TREMOLO-ARM-60s-VIBRATO-WHAMMY-ARM-FITS-MANY-OTHERS-TOO-/251715391093?pt=LH_DefaultDomain_0&hash=item3a9b680e75

But don’t know about the tail piece and bridge. You might have to buy another Silvertone 1445 to get the parts off it.

Good luck!
~alex

REPLY

 

Randy Doran August 26, 2015 at 5:25 am

 

I own one of these great guitars. Silvertone from Sears. 1445 model I believe
It is in mint condition and sounds great with the original pickups.
I am missing one volume knob and would really like to get one to make this guitar
good as new. Any idea where I could get an original knob?

REPLY

alex September 20, 2015 at 9:04 am

Hi Randy!
These knobs for this guitar are rare and hard to find. Occasionally one will appear on eBay. That’s your best bet.

Good luck!
~alex

 

Brand New 1967 Teisco EP-7, Checkmate Amp

Drop dead, new old stock guitar, amp and accessories.

A guitar time capsule discovery. While out trolling the flea marts, pawn and antique shops today, Jon and I ran into this absolutely beautiful 1967 Tesico EP-7. It came with its original matching Checkmate 12 amp, guitar strap and cables. It was entire ’67 Teisco electric guitar starter package, minus the original gig bag (but the seller might have had that hanging around, too). Even though the set was 45 years old, the guitar and amp were as new as the day they came out of the Teisco factory. Someone must have received the set back in ’67 and then locked it on a closet. The nitrocellulose finish was perfectly glossy, the chrome was gleaming, and the rosewood fingerboard and brass frets appeared to never have been played before today. We did hear some hum coming from the solid-state Checkmate 12, but that may have been caused by the super-cheap unshielded guitar cable we were using. The EP-7 sounded just “OK” through it’s little solid-state amp. But when we plugged it into a ’47 Harmony tube amp, those two single coil pickups really began to shine. We were impressed by this little guy. It was the find of the day, and maybe the year.

Sears Silvertone 605 Parlor Guitar

Sears Silvertone 605 Guitar

A Guitar for the Masses

From its humblest beginnings, to becoming the most produced, most purchased, and most played guitar in America during the 20th Century. From the factory in Chicago to the working plains of Texas and Oklahoma, to the Mississippi Delta, Louisiana Bayou, back to the blues clubs of Chicago, and then the garage bands of the 60s, this little birch box guitar was there.

This is the ubiquitous Silvertone 605 flattop acoustic guitar sold by Sears in catalogs and stores from about 1948 to 1970. It’s a 3/4 size all-Birch ladder braced body with a Cherry-burst finish, a solid Maple neck (no truss rod) with Ebony stained fingerboard, small brass frets, a carved hardwood nut, Waverly-type open tuners, a floating wooden bridge, a metal tail piece, and  stenciled (!) Silvertone logo on the headstock. The “binding” is simply paint. No pickguard – not even a painted on one! The scale is about 25-1/4 inch. Built like a tank!

These simple little Birch boxes take you back to early days of the Delta Blues. Think of guys like Leadbelly, Robert Johnson and Blind Willie Johnson. Although they probably never had one of these Sears models from the Catalog, they played something quite similar. And for today, think of new folk artists like Mumford and Sons.

Similar to it’s parlor cousin, the Stella H929 built by Harmony in their Chicago factory, the 605 was a simple  no frills instrument targeted to the entry level player on a tight budget. If you ordered one of these from the Sears Catalog in the 50’s, it would arrive in a cardboard box with a set of plain steel strings, a string for a strap, and a brief instruction book.

More Damage than Good?

Unfortunately, these Sears guitars might have done more damage than good! Due to the crude factory setup, high action, and an inexperienced user, these guitars were quite hard to play right out of the box. So, who knows how many young aspiring guitar wannabes were discouraged and eventually quit? But, in the hands of an experience player, these little gems still have potential to create some nice bluesy tones. Especially with a slide.

This particular 605 was built in 1956. When it arrived on the doorstep (eBay!), the neglect of its previous owner was obvious. The strings were rusted, the tuners were frozen, the bridge was wrong, and the intonation was way off. A “pluck” and a “boing” was about all she had for sound. But physically overall, this instrument of almost 60 years was in great condition and the Cherry-burst finish was pretty. I slapped on some new strings and then moved the bridge to get (mostly) correct intonation. Well (sigh), the high action was still there but still quite playable. And tuned down to D, and using a slide, this guy can sound pretty darn good.

I think in the future, we’ll will try a bone nut and a real bridge with a real saddle, to see how it might improve? So check back for another posting.

Sears Silvertone 605 Guitar HeadstockSears Silvertone 605 Guitar Body

From the 1956 Sears & Roebuck Catalog: “Silvertone flat top guitars… carefully constructed from choice, select woods. Great ‘party makers,’ deep mellow tones — fine for vocal accompaniment.”

Sears 1956 Catalog Page of Silvertone Guitars

 A Very Long Run

Noted for its popularity, low cost, and longevity, the Silvertone 600 Series enjoyed the longest run of any guitar series in the Sears Catalog during the 20th Century. The 605 appears in the oldest catalog that I have, which is a 1950. But according to Randy at Silvertone World the 605 began its run as early as 1948, and appeared continuously in every annual catalog until 1967 (19 years), at which point Sears just changed the model numbers from 600’s to 1200’s, and continued selling them through 1970. With a 1948 catalog price of $8.95, it was Sears lowest priced guitar, and therefore extremely popular. The Silvertone 605 was built for Sears by the Harmony Company in Chicago, Illinois. It was very similar to it’s Harmony cousin: the Stella H929.

The 605’s solid Birch top has a Cherry-red sunburst finish. The sides and back are also solid Birch, which gives this guitar it’s woodsy tone. The floating bridge is a hard-carved, sanded and stained piece of hardwood (probably also Birch). The tail piece is of punched steel with a nickel finish. The set neck is solid piece of hard Maple. The fingerboard is just the face of the same solid Maple neck and is Ebony stained to appear as Rosewood. The dots in the fingerboard are painted. The frets are brass and quite small. The darkly stained head stock has open tuning machines, three per side, with white plastic buttons. The top of the head stock is simply adorned with a stenciled Silvertone logo, which is the older 1950’s style logo.

Silvertone 605 Specifications and Features

  • Model #605 (Tobacco-burst finish), #603 (Blonde, or natural, finish), became the #1200 in fall 1968 thru 1970.
  • Size/Scale: Standard size (sometimes referred today as 3/4 or “parlor size”); 24-1/4″ scale; 18 frets, neck meets body at 12th fret.
  • Body: Solid birch top, sides and back. Ladder braced top. Painted edge binding and soundhole. No pickguard. Hardwood strap button.
  • Neck: Solid Maple, non-reinforced, set neck with ebonized (stained) fingerboard, painted position markers 1-3/4″ wide at nut. Hardwood (birch, poplar or maple?) nut.
  • Frets: Small brass frets.
  • Finish: Cherry-red stained semi-glosss sunburst, nitrocellulose lacquer finish.
  • Headstock: Solid Maple; black nitro-lacquer finish; block style logo.
  • Tuners: Waverly-style open gear tuners, three on a strip per side.
  • Bridge: Solid hardwood (birch?) floating bridge.
  • Dimensions: Length 36″; Body 13″; 3″ deep body.

Additional Resources

For more information about the Silvertone 600 Series and the 605…

Silvertoneworld.com and the

Harmony Database.

Chickenbone John demos and talks about Harmony Stella guitars:

Electrified Stella! JRGuitars demos a Stella with a vintage DeArmond pickup:

On eBay: Rebuilt 1960′s Harmony Stella

Auction Alert!

Check out this very cool, nicely restored, Harmony Stella from the 1960′s. Rebuilt with Martin-style X-bracing by Barton Lane Guitar Company. This guitar is on ebay right now at: 1960′s STELLA HARMONY guitar w/ Martin 0-18 X-bracing!!. This auction ends March 26, 2011 15:50:27 PDT

NOTE: Guitar sold at end of auction for $356.

Text from original auction:

Rebuilt Harmony Stella. Martin 0-18 X-Bracing. Barton Lane Guitar Company.

Here is a really cool 1960’s Stella guitar made in the USA by Harmony.

This guitar was professionally repaired/restored by the Barton Lane Guitar Company.

They rebuilt the top with Martin style forward shifted, tapered X-bracing (these guitars were originally ladder-braced) and also put a small, pre-war style, maple bridge plate in place of the original, extremely large mahogany one. The back, sides, and top, are all made of solid birch.

The many cracks in this instrument were all professionally repaired.

I imagine that this guitar sounds worlds better than it did with its original, heavy, ladder braces.

This instrument sounds REALLY COOL!! It would be ideal for a folk or blues guitar picker/strummer. The tone is reminiscent of an old Gibson L-00 or maybe a Martin 0-18.

How it all began…


This story began a few days after Christmas when my son and I stopped into one of Portland’s music shops, Trade Up Music, to browse the used gear. After checking out Trade Up’s nice selection of guitars, my son spotted a small, funky, beat up amp sitting atop the other guitar and bass amps. It was a simple square box, somewhat plain in appearance. The original green vinyl covering was stretched in a few places and had a few tears. The speaker fabric was splattered with paint and a had hole in it! Because of those “faults,” my son thought it had a certain cool factor and retro personality. And it had tubes inside! Cool… a little tube powered practice amp. Or maybe he could use it on stage, or for recording.

Taking a closer look, I could tell it was one of those unimpressive department store amps of the late 1960’s or early 70’s. Basically the kind of stuff we ran away from (but in reality was all we could afford!). It was a Sears amp, model 5 XL to be exact. Well I thought to myself, “A Sears amp? No way.” Musicians didn’t buy these. Only parents bought these cheap amps, paired with an equally cheap electric guitar, so their kids could start their own noise brigade in the garage.

Anyway, knowing nothing about this amp, I grabbed my smart phone and quickly Googled the amp’s name while still in the store. Not much was found, except for some less than glowing information and commentary found at Silvertone World (a great site, by the way). Still scratching my head, my son decided to buy it for less than $90 cash.

Once we got this guy home and plugged into Jon’s modified tele, all my doubts were replaced with astonishment. What unexpected sounds came zooming out of that plain green box! Jon cranked the volume and the tone knobs. The tubes went into overdrive: somewhat snarly and raspy but under control. Subtle highs, growling midrange, and a whole lot of solid bass. Who knew?!

Have a listen…

Who knew there was an real unexpected Tone Gem hiding underneath that Sears label and ugly green vinyl?

Well, that’s how this whole thing started.

{2 comments}

Randy October 5, 2010 at 7:30 am

Alex, thanks for the insight on the 1420! “Less than glowing” is right, because I’ve never had the opportunity to play through one… now, I know! Mind if I use your mini-review on the site for the 1420 page? Funny how just a little hot wire, vacuum and glass can create a Tone Gem, eh?

alex October 5, 2010 at 9:30 am

Randy, greetings! A privilege to hear from Silvertonium. Thanks for your comments. Please fee free to use as a mini-review. I am currently working on full fledged review pages (complete with specs, photos, video, and audio) for this amp and for the 10 XL (1421), which will be posted in the near future.