The Guitars, is a 15-part series of videos found on Tom Petty’s website (www.tompetty.com) featuring Mike Campbell’s collection of guitars. Here is Chapter 6, the story of the Rickenbackers…
(Sorry for the advertising. It’s not me; it’s built into video)
Keywords: Tom Petty and the Heartbreakers, TPATH, Mike Campbell, George Harrison, The Beatles, Rickenbacker, Guitars.
Hashtags: #TomPettyandtheHeartbreakers, #TPATH, #MikeCampbell, #GeorgeHarrison, #Beatles, #Rickenbacker, #Guitars.
The Univox Coily Hollowbody Electric – A True 1970’s Sleeper
The Univox Coily is one example of a guitar that no one wanted in the 70’s, but would die for today. This thing just rocks!
Back in the 70’s, Univox was known as the U.S. distributor of Marshall amps… and… that’s about all they were known for! They did have their own line of guitars and amps, but most everyone wanted to rock a Les Paul with their Marshall, not a Univox, or even a Fender for that matter.
But the Coily has that Epiphone Casino-like mojo. It’s a full hollow body Maple thin line guitar, with a pair of P-90 type pickups, similar to John Lennon’s Casino. And these pickups are hot!
The 1975 Coily featured a flamed Maple body, fully bound, in a sunburst finish, P-90 type pickups, a ball-bearing Vibrato arm (Whammy Bar), Matsumoku’s three-piece Maple neck, Rosewood fingerboard with Pearloid “Box” inlays.
The Coily was based on the Epiphone Casino, made popular in the 1960’s by The Beatles. John Lennon was the first Beatle to get one; and later Paul and George each got their own. The Casino was the only guitar that was owned and played by all three. You can see John playing his Casino in several Beatles films and videos. But the Abbey Road Rooftop Concert might be the most famous, with John playing it during their recording of “Get Back.”
Specifications
1975 Univox Coily
Model number U1825.
Full Hollow body thin line body (no center block), arch top, electric.
Maple ply top, back and sides.
Bound body with Flamed Maple finish.
Sunburst body in Orange, Red, and Jade Green (rare color).
P-90 Pickups (made to look like Humbuckers).
Separate volume and tone controls for each pickup.
Three-way pickup switch.
Black pick guard.
Ball-bearing Vibrato Tailpiece.
Made in Japan by Matsumoku, mid 1970’s.
Similar to Epiphone Casino, Epiphone EA250, Epiphone 5102T.
Original sale price: $122.50.
A bass guitar version of the Coily was also available.
The Japanese guitar factories didn’t maintain accurate records back then, so it’s hard to know. Sunbrust green does seem to be more rare. I would guess that they made about 1 green Coily for every three or four cherry sunburst.
A 1960’s Murph bass guitar. King of the “made-in-a-garage-in-California” #BudgetBrand guitars. Designed and built by Patrick Murphy for a brief time in the mid 60’s.
The Lyle C-600 is an excellent 1970’s reproduction of the Martin 000-18 guitar. The C-600 was made in Japan at the Matsumoku factory and sold in the United States by L.D. Heater Music Company of Portland Oregon.
This particular guitar came to me as a gift from my family last Christmas. My son found this Lyle online at a Goodwill Store in Seattle. When the guitar finally arrived, it looked a bit rough: with a few scuffs, marks, dings, and plenty of scratches. Not to mention a few decades of dust!
The passing of time had not been kind to this Lyle, which resulted in a bowed neck. Poor Lyle. Here’s a picture of Lyle the day he arrived in his original chipboard case.
A New Life
Lyle spent quite a bit of time earlier this year at Barrett Coughlin’s repair shop. Barrett straightened Lyle’s bowed neck, lowered the bridge saddle, treated the fingerboard, filed and polished the frets, and generally brought this old instrument back to life.
A Good Build
Crafted in Japan, in the Matsumoku factory.
Imported and sold by the L.D. Heater Co. of Portland, Oregon.
1970’s Lyle ‘Strat-Like’ Electric Guitar, white solid body, 3 pickups
Here’s an interesting vintage 1970’s Lyle guitar currently offered on eBay. This Strat-like 3-pickup solid body is dressed nicely in an aged and relic white finish, tremolo bridge (the arm is missing), with a Japanese bolt-on Mahogany neck, an adjustable truss rod, and Rosewood fingerboard. Mostly known for its less expensive copies of famous guitars, Lyle actually sold some decent gear—in addition to a lot of low end beginner’s trash! This one appears to be of higher quality as suggested by the three-ply pickguard, the sliding switchgear, and the closed back tuning machines. Most Lyle guitars were built in the Matsumoku factory in Japan, however the Mahogany neck and the pickups suggest it could have been built elsewhere in Japan? Lyle guitars were sold by the L.D. Heater Music Co. of Portland Oregon during the 1960’s and 70’s. The seller says this guitar plays and sounds great with low action and no fret buzz. We have not tested to confirm. Seller is asking $279.95 plus shipping.
*DISCLAIMER*: Buy at your own risk! Although we like to point out interesting buys on eBay, craigslist.com, and other sites, Tone Gems has not tested this guitar and does not endorse or recommend this product, nor this seller.
A Vintage 1970 Silvertone MIJ Copy of the Mosrite Guitar
This crazy looking solid-body electric guitar is ready to play surf, jazz, classic rock or county, and is simply a kick to play! The exquisite Silvertone 1445 (I mean, by dept. store standards of course) was hand-crafted by Teisco in Japan for Sears. The body style is an excellent Teisco version of the 1960’s Mosrite of California guitar played by rock Hall-of-Famers, The Ventures (Walk, Don’t Run and Hawaii Five-O).
The Silvertone 1445 first appeared in the Sears catalog in 1968, and hung around in a few variations through the early 1970’s. It has three very loud single-coil (“Hound Dog”) pickups wired in series just like the old Danelecto models. The fast, low-profile solid Maple neck with Rosewood fingerboard sports medium to low action and is easy to play. The growling Teisco “Hound Dog” single-coils have lots of bite, and the solid poplar body has plenty of sustain. Of course, the single-coils and non-shielded wiring can be a bit noisy if you’re not careful, but easy to avoid. And I must say that the hand-painted sunburst finish over the flamed Maple; the contoured German carve body with tortoise shell pickguard; and intricate triple-layer celluloid binding makes this guitar a stunning sight to see.
Silvertone 1445 Guitar
The 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship. It has the following specifications and features:
Body: Morite-style, celluloid bound, fully contoured, flamed Maple over basswood with German carve; sunburst (yellow-red-mahogany) high gloss polyurethane finish; tortoise shell celluloid pickguard.
Neck: Bolt-on solid Maple neck with Brazilian(?) Rosewood fretboard, Pearloid block inlays and triple bound celluloid edge (w/b/w); 25½″; 22 frets with zero fret; 1-5⁄8″ at nut.
Pickups: Three Teisco single coil “Hound Dog” pups wired in series (loud, louder, loudest); 3 slide switches plus tone boost switch for 7 pup combinations; 3 volumes and 1 master tone control.
Headstock: Solid Maple; black nitro-lacquer finish; block style logo.
Dimensions: Length 41½″; Body 19″; Upper Bout 12½″; Lower Bout 14½″; Thickness 2″ at base of neck.
The Silvertone 1445 Photo Gallery
Here are some photos of the 1445 taken with the Silvertone 1421 (Sears 10XL). The 1421 is a 10-watt tube amp that was also offered by Sears around the same time. These two instruments were often bundled and sold together as a set around Christmas time (the Sears Wishbook).
i own a 68 model that i refinished in 2004.i should not have done that but the end result looks great and at the time i only paid 85$ for it.it was my first experimental guitar.i learned about guitar construction,electronics,it taut me every thing i know about guitars today.i could build one from scatch if need be.if you want to check out a photo go to my facebook page.
A Vintage 1970 Silvertone MIJ Copy of the Mosrite Guitar
Here is the latest addition to the Tone Gem galaxy of stars: a vintage 1970 Silvertone 1445. Also known as the Silvertone Mosrite Copy, made in Japan by Teisco. Picked this one up in Seattle from John, another Silvertone collector. The 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship.
This crazy looking solid-body electric guitar is ready to play surf, jazz, classic rock or country, and is simply a kick to play! The exquisite Silvertone 1445 (I mean, by dept. store standards of course) was hand-crafted by Teisco in Japan for Sears. The body style is an excellent Teisco version of the 1960′s Mosrite of California guitar played by rock Hall-of-Famers, The Ventures (Walk, Don’t Run and Hawaii Five-O).
The Silvertone 1445 first appeared in the Sears catalog in 1968, and hung around in a few variations through the early 1970′s. It has three very loud single-coil (“Hound Dog”) pickups wired in series just like the old Danelecto models. The fast, low-profile solid Maple neck with Rosewood fingerboard sports medium to low action and is easy to play. The growling Teisco “Hound Dog” single-coils have lots of bite, and the solid poplar body has plenty of sustain. Of course, the single-coils and non-shielded wiring can be a bit noisy if you’re not careful, but easy to avoid. And I must say that the hand-painted sunburst finish over the flamed Maple; the contoured German carve body with tortoise shell pickguard; and intricate triple-layer celluloid binding makes this guitar a stunning sight to see.
The 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship. It has the following specifications and features:
Body: Morite-style, celluloid bound, fully contoured, flamed Maple over basswood with German carve; sunburst (yellow-red-mahogany) nitrocellulose lacquer finish; tortoise shell celluloid pickguard.
Neck: Bolt-on solid Maple neck with Brazilian(?) Rosewood fretboard, Pearloid block inlays and triple bound celluloid edge (w/b/w); 25½″; 22 frets with zero fret; 1-5⁄8″ at nut.
Pickups: Three Teisco single coil “Hound Dog” pups wired in series (loud, louder, loudest); 3 slide switches plus tone boost switch for 7 pup combinations; 3 volumes and 1 master tone control.
Headstock: Solid Maple; black nitro-lacquer finish; block style logo.
Dimensions: Length 41½″; Body 19″; Upper Bout 12½″; Lower Bout 14½″; Thickness 2″ at base of neck.
The Silvertone 1445 Photo Gallery
Here are some photos of the 1445 taken with the Silvertone 1421 (Sears 10XL). The 1421 is a 10-watt tube amp that was also offered by Sears around the same time. These two instruments were often bundled and sold together as a set around Christmas time (the Sears Wishbook).
Hey just wondering what these models are worth. I picked one up from a guy in Alberta, Canada. I paid $125 for it. The electrics are alot crackily but they still work. Everything else is in good shape with the usual nicks and bumps. It also came with an old hard case. Looks a little big for the guitar but it looks old. It has a very thin red plush interiour. Not sure if I will get a reply if you reply through this web site so if you could reply directly to my email address [address removed].
Hi my name is frank i have had mine for about 20 years i haven,t picked it up in years whats 1 of these worth model #319.14459 japan silvertone mosrite copy/tone gems
Hi Frank. Thanks for visiting the website! I have been following the prices for this guitar on eBay and craigslist for about 2 years. The asking prices have been all over the place. Its value really depends on the condition and the amount of original hardware. A lot of these guitars have lost their whammy bar and chrome bridge cover. A decent price for one like mine would be around $450, or even more.
@cornbread
Yes. Even though the headstock and logo changed over a short time span, these guitars are all the same model. Sears started using the atomic SR logo in ’71. Therefore, your guitar would have to be a 1971 model, or later.
I’m about to purchase one of these 1445 Silvertone’s, it is a 1969 and in perfect condition other than the tremelo bar is missing. Do you know if these are easy to get hold of?
I’ve had my Silvertone 1445 since1974 and it still plays. It was my first electric guitar. Bought it from a friend of mine with a Sears tube amp but the amp got stolen. Saw one on Ebay for almost $500. Bought both amp and guitar for $40. Missing my bridge cover. Never got a case with it and the only thing it fits in is a coffin bass case.
Want even better Mosrite-like sound from the 1445? Bypass the other two pickups and wire the bridge pickup straight to the input jack. Even better, replace the bridge pickup with an M3 or California “RH-100″ Wow! No need to drop $6,000 to get that Mosrite Mark 1 sound.
I just bought one of these on eBay for $250. The differences are that the headstock is almost like a generic block but the top of the head is shaped like a wave. Another difference is there is no white lining surrounding the edge of the body. The pearl inlays stop at the 17th fret, there are actually two separate smaller inlays on the 12th fret, and the paint job and finish covers the entire guitar including the back of the neck and back of the headstock. My questions are what year was this model made? Also, it’s missing a volume knob, the whammy bar, and the original bridge so I’m also wondering where I could find these parts?
Andrew,
Congrats on the new guitar! Is it a 2 pickup or 3 pickup version. A 3 pickup is model 1445 and the 2 pickup version is a 1440 or 1441. From your description, it sounds like it might be a 1971 or 72 model year.
The guitar was built in Japan at the old Teisco factory, which was owned by Kawai by that time. You can search for parts on eBay by searching for “Teisco knob” or “Teisco whammy bar.” The is a seller on eBay to offers new reproductions of the original Tesico parts. That seller go by the name ezpz-parts. I have not purchased from that seller so I cannot endorse. But the parts look pretty good.
Thanks! I’ve already found a teisco old style tremolo and spring. The seller you mentioned has some good stuff. I even picked up a new strap. The one I bought is indeed a 3 pickup. I’ve seen more than a few of these recently and a lot of them seem to have small variations. I’m not sure if they were moded that way or actually made that way. First time I saw this guitar I instantly fell in love. Then that love went to a whole new level when I heard what it’s capable of. Vintage just has a feeling that not even repro can give you. I have a lot of years left and this will for sure be my #1 guitar out of any others I get in the future.
I bought one of these guitars back in october and I love its uniqueness.
However my is slightly different.
Mine has a big almost flag shaped headstock with 3 tuners on each side, and doesn’t have binding all the way around the body. Does this make it an older/new model?
Also what are all the woods that make it up? I don’t think mine has the maple top. so what’s the body and neck?
Hey there, I own a Silvertone 1445 (actual SN is 16877) but the wammy bar and tail bridge are destroyed and missing. Where can I get a replacement? Is it possible or do I need to add a new one on?
I own one of these great guitars. Silvertone from Sears. 1445 model I believe
It is in mint condition and sounds great with the original pickups.
I am missing one volume knob and would really like to get one to make this guitar
good as new. Any idea where I could get an original knob?
Drop dead, new old stock guitar, amp and accessories.
A guitar time capsule discovery. While out trolling the flea marts, pawn and antique shops today, Jon and I ran into this absolutely beautiful 1967 Tesico EP-7. It came with its original matching Checkmate 12 amp, guitar strap and cables. It was entire ’67 Teisco electric guitar starter package, minus the original gig bag (but the seller might have had that hanging around, too). Even though the set was 45 years old, the guitar and amp were as new as the day they came out of the Teisco factory. Someone must have received the set back in ’67 and then locked it on a closet. The nitrocellulose finish was perfectly glossy, the chrome was gleaming, and the rosewood fingerboard and brass frets appeared to never have been played before today. We did hear some hum coming from the solid-state Checkmate 12, but that may have been caused by the super-cheap unshielded guitar cable we were using. The EP-7 sounded just “OK” through it’s little solid-state amp. But when we plugged it into a ’47 Harmony tube amp, those two single coil pickups really began to shine. We were impressed by this little guy. It was the find of the day, and maybe the year.
From its humblest beginnings, to becoming the most produced, most purchased, and most played guitar in America during the 20th Century. From the factory in Chicago to the working plains of Texas and Oklahoma, to the Mississippi Delta, Louisiana Bayou, back to the blues clubs of Chicago, and then the garage bands of the 60s, this little birch box guitar was there.
This is the ubiquitous Silvertone 605 flattop acoustic guitar sold by Sears in catalogs and stores from about 1948 to 1970. It’s a 3/4 size all-Birch ladder braced body with a Cherry-burst finish, a solid Maple neck (no truss rod) with Ebony stained fingerboard, small brass frets, a carved hardwood nut, Waverly-type open tuners, a floating wooden bridge, a metal tail piece, and stenciled (!) Silvertone logo on the headstock. The “binding” is simply paint. No pickguard – not even a painted on one! The scale is about 25-1/4 inch. Built like a tank!
These simple little Birch boxes take you back to early days of the Delta Blues. Think of guys like Leadbelly, Robert Johnson and Blind Willie Johnson. Although they probably never had one of these Sears models from the Catalog, they played something quite similar. And for today, think of new folk artists like Mumford and Sons.
Similar to it’s parlor cousin, the Stella H929 built by Harmony in their Chicago factory, the 605 was a simple no frills instrument targeted to the entry level player on a tight budget. If you ordered one of these from the Sears Catalog in the 50’s, it would arrive in a cardboard box with a set of plain steel strings, a string for a strap, and a brief instruction book.
More Damage than Good?
Unfortunately, these Sears guitars might have done more damage than good! Due to the crude factory setup, high action, and an inexperienced user, these guitars were quite hard to play right out of the box. So, who knows how many young aspiring guitar wannabes were discouraged and eventually quit? But, in the hands of an experience player, these little gems still have potential to create some nice bluesy tones. Especially with a slide.
This particular 605 was built in 1956. When it arrived on the doorstep (eBay!), the neglect of its previous owner was obvious. The strings were rusted, the tuners were frozen, the bridge was wrong, and the intonation was way off. A “pluck” and a “boing” was about all she had for sound. But physically overall, this instrument of almost 60 years was in great condition and the Cherry-burst finish was pretty. I slapped on some new strings and then moved the bridge to get (mostly) correct intonation. Well (sigh), the high action was still there but still quite playable. And tuned down to D, and using a slide, this guy can sound pretty darn good.
I think in the future, we’ll will try a bone nut and a real bridge with a real saddle, to see how it might improve? So check back for another posting.
From the 1956 Sears & Roebuck Catalog: “Silvertone flat top guitars… carefully constructed from choice, select woods. Great ‘party makers,’ deep mellow tones — fine for vocal accompaniment.”
A Very Long Run
Noted for its popularity, low cost, and longevity, the Silvertone 600 Series enjoyed the longest run of any guitar series in the Sears Catalog during the 20th Century. The 605 appears in the oldest catalog that I have, which is a 1950. But according to Randy at Silvertone World the 605 began its run as early as 1948, and appeared continuously in every annual catalog until 1967 (19 years), at which point Sears just changed the model numbers from 600’s to 1200’s, and continued selling them through 1970. With a 1948 catalog price of $8.95, it was Sears lowest priced guitar, and therefore extremely popular. The Silvertone 605 was built for Sears by the Harmony Company in Chicago, Illinois. It was very similar to it’s Harmony cousin: the Stella H929.
The 605’s solid Birch top has a Cherry-red sunburst finish. The sides and back are also solid Birch, which gives this guitar it’s woodsy tone. The floating bridge is a hard-carved, sanded and stained piece of hardwood (probably also Birch). The tail piece is of punched steel with a nickel finish. The set neck is solid piece of hard Maple. The fingerboard is just the face of the same solid Maple neck and is Ebony stained to appear as Rosewood. The dots in the fingerboard are painted. The frets are brass and quite small. The darkly stained head stock has open tuning machines, three per side, with white plastic buttons. The top of the head stock is simply adorned with a stenciled Silvertone logo, which is the older 1950’s style logo.
Silvertone 605 Specifications and Features
Model #605 (Tobacco-burst finish), #603 (Blonde, or natural, finish), became the #1200 in fall 1968 thru 1970.
Size/Scale: Standard size (sometimes referred today as 3/4 or “parlor size”); 24-1/4″ scale; 18 frets, neck meets body at 12th fret.
Body: Solid birch top, sides and back. Ladder braced top. Painted edge binding and soundhole. No pickguard. Hardwood strap button.
Neck: Solid Maple, non-reinforced, set neck with ebonized (stained) fingerboard, painted position markers 1-3/4″ wide at nut. Hardwood (birch, poplar or maple?) nut.
Check out this very cool, nicely restored, Harmony Stella from the 1960′s. Rebuilt with Martin-style X-bracing by Barton Lane Guitar Company. This guitar is on ebay right now at: 1960′s STELLA HARMONY guitar w/ Martin 0-18 X-bracing!!. This auction ends March 26, 2011 15:50:27 PDT
NOTE: Guitar sold at end of auction for $356.
Text from original auction:
Rebuilt Harmony Stella. Martin 0-18 X-Bracing. Barton Lane Guitar Company.
Here is a really cool 1960’s Stella guitar made in the USA by Harmony.
This guitar was professionally repaired/restored by the Barton Lane Guitar Company.
They rebuilt the top with Martin style forward shifted, tapered X-bracing (these guitars were originally ladder-braced) and also put a small, pre-war style, maple bridge plate in place of the original, extremely large mahogany one. The back, sides, and top, are all made of solid birch.
The many cracks in this instrument were all professionally repaired.
I imagine that this guitar sounds worlds better than it did with its original, heavy, ladder braces.
This instrument sounds REALLY COOL!! It would be ideal for a folk or blues guitar picker/strummer. The tone is reminiscent of an old Gibson L-00 or maybe a Martin 0-18.
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cE9s4PsMTtBQeO(LF73Q~~60_57.JPG "Lyle Electric")
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The Silvertone 1445 first appeared in the Sears catalog in 1968, and hung around in a few variations through the early 1970′s. It has three very loud single-coil (“Hound Dog”) pickups wired in series just like the old Danelecto models. The fast, low-profile solid Maple neck with Rosewood fingerboard sports medium to low action and is easy to play. The growling Teisco “Hound Dog” single-coils have lots of bite, and the solid poplar body has plenty of sustain. Of course, the single-coils and non-shielded wiring can be a bit noisy if you’re not careful, but easy to avoid. And I must say that the hand-painted sunburst finish over the flamed Maple; the contoured German carve body with tortoise shell pickguard; and intricate triple-layer celluloid binding makes this guitar a stunning sight to see.
The 1445 represents the pinnacle of Teisco’s contribution to the Sears Silvertone line. All high quality materials and workmanship. It has the following specifications and features:
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